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Aimee Mann 2000 Bachelor No 2 (2004 MFSL SACD) [24-88 FLAC]

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Music : Indie : Lossless
Aimee Mann 
Bachelor No. 2 

[24-88 FLAC] via (2004 MFSL SACD) 

Released: 	May 2, 2000
Length: 	49:21
Label: 	SuperEgo, V2
Producer(s) :	Jon Brion, Mike Denneen, Buddy Judge, Aimee Mann, Brendan O'Brien

"How Am I Different" (Jon Brion, Mann) ? 5:03
"Nothing Is Good Enough" ? 3:10
"Red
Vines" ? 3:44[13]
"The Fall of the World's Own Optimist" (Elvis Costello, Mann) ? 3:06
"Satellite" ? 4:10
"Deathly" ? 5:37
"Ghost World" ? 3:30
"Calling It
Quits" ? 4:09
"Driving Sideways" (Michael Lockwood, Mann) ? 3:49
"Just Like Anyone" ?
1:22
"Susan" ? 3:51
"It Takes All Kinds" (Brion, Mann) ? 4:06
"You Do" ?
3:43


 

 
Quote:

It's no shock that Aimee Mann's Bachelor No. 2, or the last remains of the dodo sounds identical to her songs for Paul
Thomas Anderson's Magnolia, since it was written and recorded at roughly the same time (the two records share four
songs). Yet Bachelor No. 2 is hardly a retread, having its own identity and flow; it's more intimate, a little more
fragile, a little more craftmanslike -- more like an Aimee Mann record, really. That, of course, is not a bad thing,
especially since Mann has never sounded as assured as she does here, nor has she ever had a better set of songs.
Surprisingly, this cohesive album was produced by a handful of different producers and Mann collaborated with three
songwriters (Jon Brion being the most noteworthy of both categories). It sounds like the work of one writer and one
production team, which is testament to the fact that Mann has finally found the ideal sound to match her literate,
mildly self-deprecating, clever, melancholy, melodic style. Bachelor No. 2 is crisp, clear, and direct, but deceptive.
It's hardly a guitar-and-voice record, there are layers of details in the arrangements, particularly in how the various
guitars and keyboards weave seamlessly together. There has never been a better sound for her songs, and she's never been
more consistently compelling as a writer either. To call Bachelor No. 2 a masterpiece may be overstating the matter
somewhat, since an album this unassuming (but not unconfident) is too intimate to be labeled as such, yet it isn't
hyperbole to call it the finest record Mann has made to date. [4.5 / 5 Stars]
- Stephen Thomas Erlewine
(allmusic}                                                             

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